| Chair Barcelona by Mies van der Rohe, 1929 |  | Chair chrome plated flat steel frame. Loose cushions filled with PU-foam. Coverings made of individually stitched and piped leather pieces.
Le variant de ce produit malheureusement n`est pas disponible.
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Information to Chair Barcelona, 1929 by Ludwig Mies van der Rohe
Armchair with flat metal chromed frame. Seat and back upholstered in leather.
Measurement: L. 75 cm, H. 75 cm, P. 75 cm
cbm: 0,50
All prices include shipping charges from Italy to your country.
as of orders between 1.500,- and 2.000,- Euro (depending on your country), otherwise, the shipping charge is between 12 and 20 % plus basis charges.
- the entire cost of your selection will be indicated after you complete your order.
Italy's Top- brands directly from the manufacturer - Made in Italy
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Leather Samples
We would be happy to send you various leather samples on request free of charge (please
specify colors).
Please note: these colors are not binding.
Because display screen settings vary, color differences may occur in the presentation.
Please send us a mail to sample@classicdesign24.com
Leather STANDARD
Surface Structure is embossed, quality slightly thinner.
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black |
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Leather SPECIAL
Surface Structure is embossed, quality somewhat softer and thicker than STANDARD.
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white |
beige |
dark brown |
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biscuit |
red |
dark red |
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blue |
light grey |
antracite |
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natural |
dark green |
black |
Leather ANILINE
Leather in its most beautiful form, natural, dyed thoroughly, soft, warm, and breathable.
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black |
white |
beige |
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brown |
cognac |
red |
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dark brown |
antracite |
nocciola |
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arancio |
blue |
fumo | |
Gallery
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By publishing of your pictures, you will get a coupon for your next shopping at classic-design24.com
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Ludwig Mies van der Rohe 1886 - 1969
Ludwig Mies Van der Rohe was born in Aachen, Germany in 1886. He worked in the family stone-carving business before he joined the office of Bruno Paul in Berlin.
He entered the studio of Peter Behrens in 1908 and remained until 1912.
Under Behrens' influence, Mies developed a design approach based on advanced structural techniques and Prussian Classicism.
He also developed sympathy for the aesthetic credos of both Russian Constructivism and the Dutch De Stijl group.
He borrowed from the post and lintel construction of Karl Friedrich Schinkel for his designs in steel and glass.
Mies worked with the magazine G which started in July 1923.
He made major contributions to the architectural philosophies of the late 1920s and 1930s as artistic director of the Werkbund-sponsored Weissenhof project and as Director of the Bauhaus.
Famous for his dictum 'Less is More', Mies attempted to create contemplative, neutral spaces through an architecture based on material honesty and structural integrity.
Over the last twenty years of his life, Mies achieved his vision of a monumental 'skin and bone' architecture. His later works provide a fitting denouement to a life dedicated to the idea of a universal, simplified architecture Mies died in Chicago, Illinois in 1969. |
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