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4 Armchair Brno by Mies van der Rohe, 1929

4 Armchair Brno by Mies van der Rohe, 1929
Chair chrome plated flat steel frame. Upholstery on hardwood frame, covered with leather black.
No. Art.:SO-LR 332-4
Tempo di consegna:

leather quality color:



 
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Information to Mies van der Rohe Chair Brno, 1929


Armchair with metal chromed frame. Seat and back upholstered with leather black.

Measurement:  L. 59 cm, P. 58 cm, H. 80 cm
cbm:


All prices include shipping charges from Italy to your country.

as of orders between 1.500,- and 2.000,- Euro (depending on your country), otherwise,
the shipping charge is between 12 and 20 % plus basis charges.
- the entire cost of your selection will be indicated after you complete your order.

Italy's Top- brands directly from the manufacturer - Made in Italy
  




 mvdr_brno_f_332_x_300.jpg  mvdr_brno_s_332_x_300.jpg
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Leather samples

We would be happy to send you various leather samples on request free of charge.
Please send us a mail to sample@classicdesign24.com

 Please note: these color are not binding.
 Because display screen settings vary, color differences may occur in the presentation.
 

 

  Leather STANDARD

  Surface Structure is embossed, quality slightly thinner.

 leather_standard_black.jpg  

                            black 

 

 

Biography

Mies van der Rohe.jpg

Ludwig Mies van der Rohe 1886 - 1969


Ludwig Mies Van der Rohe was born in Aachen, Germany in 1886. He worked in
the family stone-carving business before he joined the office of Bruno Paul in Berlin.
He entered the studio of Peter Behrens in 1908 and remained until 1912. Under
Behrens' influence, Mies developed a design approach based on advanced structural
techniques and Prussian Classicism. He also developed sympathy for the aesthetic
credos of both Russian Constructivism and the Dutch De Stijl group. He borrowed
from the post and lintel construction of Karl Friedrich Schinkel for his designs in steel
and glass. Mies worked with the magazine G which started in July 1923. He made
major contributions to the architectural philosophies of the late 1920s and 1930s as
artistic director of the Werkbund-sponsored Weissenhof project and as Director of the
Bauhaus. Famous for his dictum 'Less is More', Mies attempted to create contemplative,
neutral spaces through an architecture based on material honesty and structural integrity.
Over the last twenty years of his life, Mies achieved his vision of a monumental 'skin
and bone' architecture. His later works provide a fitting denouement to a life dedicated to
the idea of a universal, simplified architecture Mies died in Chicago, Illinois in 1969.

more favourable offer well-fitting to this product ... 
   
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