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Chair Roquebrune by Eileen Gray

Chair Roquebrune by Eileen Gray
Chrome plated steel frame. Seat and back in full bend leather.
Product-id.:EG 416
Delivery time:

bend leather:


 
incl. tax (17.5%)
 
 
Add to bag
#
>Description

Information to Chair Roquebrune by Eileen Gray


Chrome plated steel frame. Seat and back in full bend leather.


Measurement:  L. 46 cm, H. 82 cm, P. 53 cm
cbm:  0,30  - 1 pack/2

All prices include shipping charges from Italy to your country.

as of orders between 1.500,- and 2.000,- Euro (depending on your country), otherwise,
the shipping charge is between 12 and 20 % plus basis charges.
- the entire cost of your selection will be indicated after you complete your order.

 Italy's Top- brands directly from the manufacturer - Made in Italy


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>Detail View

Gray_Stuhl_416_Detail.jpg
 
Gray_Stuhl_416_Detail_2.jpg
  Details Chair Roquebrune by Eileen Gray
 

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>Leather Samples


Bend leather color samples

We would be happy to send you various leather samples on request free of charge (please
specify colors).Please send us a mail to
sample@classicdesign24.com

Please note: these colors are not binding. Because display screen settings vary, color differences may occur in the presentation.

 Kernleder_weiss.jpg  Kernleder_weiss_sabbia.jpg  Kernleder_natur.jpg  
 white  white sabbia    natural
 Kernleder_bulgarian.jpg  Kernleder_rot.jpg  Kernleder_blau.jpg  
 bulgarien  red  blue  
 Kernleder_grau.jpg  Kernleder_dunkelbraun.jpg  Kernleder_schwarz.jpg  
grey dark brown  black  
 

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>Biography

Eileen Gray.jpg

Eileen Gray 1879 - 1976

Born in Ireland and from an affluent and artistic family background, Eileen Gray
studied at the Slade School of Fine Arts (1898). In 1902, she moved to France
and studied drawing at the Académies Colarossi and Julian, Paris. Later, she
trained in the art of lacquer with the Japanese craftsman, Sougawara. She
spent much of World War I in London and only returned to Paris in 1918. Prior
to, she had worked solely as a furniture designer; however, in that year she
began to work on interior design. In 1922, she opened the Galerie Jean Désert
as a showcase for her own work. The same year she also came into contact
with the De Stijl movement. From 1926 onwards, she worked as an architect
and exhibited several architectural projects in Le Corbusier's Pavillon des
Temps Nouveaux at the 1937 Paris Exhibition.

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