| Chair Roquebrune by Eileen Gray |  | Chrome plated steel frame. Seat and back in full bend leather.
| Product-id.: | EG 416 | | Delivery time: |  |
variant not found.
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# >Description
Information to Chair Roquebrune by Eileen Gray
 Chrome plated steel frame. Seat and back in full bend leather.
Measurement: L. 46 cm, H. 82 cm, P. 53 cm cbm: 0,30 - 1 pack/2
All prices include shipping charges from Italy to your country. as of orders between 1.500,- and 2.000,- Euro (depending on your country), otherwise, the shipping charge is between 12 and 20 % plus basis charges. - the entire cost of your selection will be indicated after you complete your order.
Italy's Top- brands directly from the manufacturer - Made in Italy
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# >Detail View
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Details Chair Roquebrune by Eileen Gray | |
# >Leather Samples
Bend leather color samples
We would be happy to send you various leather samples on request free of charge (please specify colors).Please send us a mail to sample@classicdesign24.com
Please note: these colors are not binding. Because display screen settings vary, color differences may occur in the presentation.
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| white |
white sabbia |
natural |
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| bulgarien |
red |
blue |
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| grey |
dark brown |
black |
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# >Gallery
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Help us to enlarge our/your picture gallery and send us pictures showing your
Bauhaus furnitures, which you bought at our shop. By publishing of your pictures, you will get a coupon for your next shopping at classic-design24.com
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# >Biography
Eileen Gray 1879 - 1976
Born in Ireland and from an affluent and artistic family background, Eileen Gray studied at the Slade School of Fine Arts (1898). In 1902, she moved to France and studied drawing at the Académies Colarossi and Julian, Paris. Later, she trained in the art of lacquer with the Japanese craftsman, Sougawara. She spent much of World War I in London and only returned to Paris in 1918. Prior to, she had worked solely as a furniture designer; however, in that year she began to work on interior design. In 1922, she opened the Galerie Jean Désert as a showcase for her own work. The same year she also came into contact with the De Stijl movement. From 1926 onwards, she worked as an architect and exhibited several architectural projects in Le Corbusier's Pavillon des Temps Nouveaux at the 1937 Paris Exhibition. |
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