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GUARANTEE QUALITY 10 Years Experience Bauhaus Classics
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 | Armchair Bibendum, 1925 and Tubelight by Eileen Gray |  | Armchair in chrome plated steel base. PU-foam upholstery on hardwood frame. Covered with leather. Tubelight by Gray.
| Product-id.: | SO-EG462+EGL/1022 plus-1 | | Delivery time: |  |
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Special Offer Price only for awhile - you can save 339,60 Euro
Information to Armchair Bibendum, 1925 and Tubelight by Eileen Gray
Armchair in chrome plated steel base. PU-foam upholstery on hardwood frame.
Covered with leather.
Measurement: L. 98 cm, P. 83 cm, H. 73 cm
cbm: 0,60
Information to Tubelight by Eileen Gray
Tubelight with base and vertical support in black lacquer or polished chrome. Recommended 100 W.
Measurement: L. 25, H. 102, P. 25 cm
cbm: 0,15
All prices include shipping charges from Italy to your country.
as of orders between 1.500,- and 2.000,- Euro (depending on your country), otherwise, the shipping charge is between 12 and 20 % plus basis charges.
- the entire cost of your selection will be indicated after you complete your order.
Italy's Top- brands directly from the manufacturer - Made in Italy
 
type: leather red
Leather color samples
We would be happy to send you leather samples on request free of charge.
Please send us a mail to sample@classicdesign24.com
Please note: these colors are not binding.
Because display screen settings vary, color differences may occur in the presentation.
Leather STANDARD
Surface Structure is embossed, quality slightly thinner.
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black |
Gallery
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Eileen Gray 1879 - 1976
Born in Ireland and from an affluent and artistic family background, Eileen Gray studied at the Slade School of Fine Arts (1898).
In 1902, she moved to France and studied drawing at the Académies Colarossi and Julian, Paris. Later, she trained in the art of lacquer with the Japanese craftsman, Sougawara. She spent much of World War I in London and only returned to Paris in 1918.
Prior to, she had worked solely as a furniture designer; however, in that year she began to work on interior design.
In 1922, she opened the Galerie Jean Désert as a showcase for her own work. The same year she also came into contact with the De Stijl movement.
From 1926 onwards, she worked as an architect and exhibited several architectural projects in Le Corbusier's Pavillon des Temps Nouveaux at the 1937 Paris Exhibition.
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