Table and 4 chairs by Eero Saarinen, 1956 and Lamp Arco

Measurement:  H. 70 cm, P./L. 120 cm
cbm:  0,80

Information to Chair, 1956 by Eero Saarinen

Chair with shell in FRM white. Base in aluminium. Chair optional with red or white cushion.

Measurement:  L. 51 cm, H. 81 cm, P. 54 cm
cbm:  0,30


Informationen to the Lamp Arco by C. Castiglioni

Base marble


All prices include shipping charges from Italy to your country.
as of orders between 1.500,- and 2.000,- Euro (depending on your country), otherwise, the shipping charge is between 12 and 20 % plus basis charges.
- the entire cost of your selection will be indicated after you complete your order.

 Italy's Top- brands directly from the manufacturer - Made in Italy

Table ES-519 by Saarinen Chair ES-513 in white	Table ES-519 by Saarinen Chair ES-513 in white

Table ES-519 by Saarinen Chair ES-533 in red	Chair ES-513 by Saarinen in white Table T/985 by Le Corbusier white Frame

Eero Saarinen 1910 – 1961

Architect, born in Kirkknonummi, Finland. Taken to the USA in 1923 by his
father, the Finnish architect and designer Eliel Saarinen, he studied sculpture
in Paris and received a graduate degree in architecture from Yale (1934). In
partnership with his father (1936-50) he helped define Modernist architecture
in a series of public, institutional, and commercial buildings known for their
innovative technology and use of materials. These include the stainless steel
Gateway Arch, St Louis (1948-64), General Motors Technical Center, Warren,
MI (1951-6), and the John Deere & Co Building, Moline, IL (1957-63). His later
sculptural designs are known for their formal imagery, such as Ingalls Hockey
Rink, Yale University (1956-9), TWA Terminal, Kennedy International Airport,
New York (1956-62), and Washington Dulles International Airport, Chantilly,
VA (1958-62). His last work and only skyscraper was the CBS Headquarters,
New York (1960-4). Outstanding among the second generation of modern
American architects, he viewed ‘the way [a] building is used’ as determinative
of its style, and his work ranged stylistically from his early essays in the
International style to the extreme plasticity of his later buildings, each project
exhibiting a unique design solution. He was posthumously awarded the Gold
Medal of the American Institute of Architects in 1962.